Lip Service shows have toured Canada since 2018

With sold-out shows and 5-star reviews. We offer our shows as a solo separate show or a combination of each. Lip Service can be adapted to audiences ages 15+ or 19+ and able to be offered with ASL Interpretation, Described Performance, and as Relaxed Performances.

“A laugh-out-loud celebration of all things vulvacious”

Shawna Dempsey

“Feminism meets funny”

Georgia Straight

“No matter what sex organ you have, Lip Service teaches a bold lesson on honouring what you’ve got.”

CBC

Lip Service Shows

Lip Service 1: Come and Get Some

  • Introduces two larger-than-life vulva alter-egos navigating themes of self-acceptance, empowerment, and the relentless demands of performing within a patriarchal system.

    The show unfolds as a physical comedy encountering endurance, competition, and the toll of “doing it all.” It challenges notions of whether success within a ruthless system truly counts as winning.

  • Debuted in 2018, running at numerous festivals:

    • Ottawa Fringe Festival (June 2018)

    • Winnipeg Fringe Festival (July 2018)

    • Edmonton Fringe Festival (August 2018)

    • Vancouver Fringe Festival (September 2018)

    • Envision (hosted by Boca del Lupo; March 2019)

    • Judith Fair (2019)

    • Winnipeg Fringe Festival (July 2019)

    • Havana Theatre, Vancouver (July 2019)

Lip Service 2: Breaking down Barriers

  • Tackles shame and taboo conversations with Pulsive Party’s signature campy playfulness. Following the education guidelines for grades 8-12, the vulvas playfully weave in sexual health information about STIs, barrier methods, testing, contraception, consent, and communication through original parody hits, TikTok references, and interactive projection.

    It contributed enough memorable content to be featured prominently in Lip Service 3’s setlist.

  • Premiered at rEvolver Festival (Up in the Air Theatre), The Cultch, Vancouver (May 2023)

Lip Service 3: Live In Concert

  • Takes on a meta-theatrical twist: the “world tour” of the characters becomes a metaphorical or actual struggle for recognition. The question posed is whether these protagonists—“these vulvas”—should continue chasing a dream when recognition remains elusive.

    The show is praised for its physical comedy, energetic song and dance, and campy humour—all used to spark empowerment, conversation, and engagement with sexual-health themes. It revisits and recontextualizes material from both earlier instalments.

  • Staged at the Vancouver Fringe Festival, Performance Works (Sept 2024)

    • Sept 9, 11 - ASL Interpretation

    • Sept 15 - Described Performance (Vocal Eye vocaleye.ca )

Presentations

Vancouver Fringe Festival, September 2024

rEvolver Festival, May-June 2023

Havana Theatre in Vancouver, July 2019

Winnipeg Fringe Festival, July 2019

Vancouver Fringe Festival, September 2018

Edmonton Fringe Festival, August 2018

Winnipeg Fringe Festival, July 2018

Ottawa Fringe Festival, June 2018

Pulsive Party
About the Creators

Pulsive Party consists of multidisciplinary artists, Ashley Whitehead and Natalie Tin Yin Gan. Since 2012, the two have used their best friend humour, signature campy playfulness, and extensive performance backgrounds in dance, clown, voice, and writing to create performance. Their three Lip Service shows engage pertinent social and political issues, tackling shame and taboo conversations in funny and unforgettable ways. Pairing with Ashley’s role as a sexual health educator, Pulsive Party shows create camaraderie and access to information, aiming to empower every body to make informed decisions about their health, lives, and relationships.

  • (They/them)

    She is a multidisciplinary creator and performer who has been making the sweet moves of an awkward, tall kid all their life. Ashley has the privilege of living, working, and playing on the unceded Coast Salish territories of the Squamish, Musqueam, and Tsleil-Waututh First Nations - also known as Vancouver, BC.

    Coming from a career as a contemporary dance artist, Ashley found creative character development (clown) with teacher and mentor, David MacMurray Smith, in 2015. Choreographing since 2010, Ashley’s work has shifted from group and solo choreography to duo and solo physical comedy that integrates their 30 years of dance experience with theatre and comedy. As an educator, Ashley uses their creative and professional practices to facilitate accessible education in sexual health, clown, movement, and swing dance. Whichever arena they are in, they look for ways to connect, to create, to move, to inspire, to play, and be played with. Ashley is queer, non-binary, and neurodivergent. 

    ashleywhitehead.ca

  • They are an independent dance artist, writer, and facilitator based in so-called Vancouver, on the unsurrendered ancestral lands of the Musqueam, Squamish, and Tsleil-Waututh First Nations. She has performed and presented work in Asia, Europe, and across Canada.

    Her practice squats at the intersection of diasporic dissonance, somatics, and technology-induced melancholy. Natalie is Co-Artistic Director of the company Hong Kong Exile and the smaller half of vulva clown duo, Pulsive Party. Natalie is lead Narrative Designer at indie video game company, Sunset Visitor 斜陽過客, that released the award-winning and critically-acclaimed game, 1000xRESIST.  

    She is a certified teacher of Fitzmaurice Voicework®, a body-centred and trauma-aware approach to the voice. Natalie is the younger daughter of a mother from Hong Kong and a father from Malaysia. She speaks Cantonese poorly but frequently. 

    nataliegan.com